Brian
Mendonça
On the
24th of January All India Radio commemorated twenty-four years of FM
Rainbow service in India. AIR announcers in Goa have been regaling listeners in
English, Hindi, Marathi, Konkani and
Portuguese languages. Ever since Marconi discovered the radio, it has been a
constant companion for its faithful fold.
This
year the anniversary was observed in style with an evening programme hosted by staff
and announcers of AIR, Panaji, at the Menezes Braganza hall, Panjim. In a rare
opportunity the public had a glimpse of their favourite announcers in front of them – rather than concealed
behind the mike in the secrecy of the studio.
Steered
by the dynamic Savio Noronha, Channel Head and Anchor, AIR and Doordarshan, who
compered the show, AIR announcers came up two by two to interact with their
audience face to face – and to introduce the artistes of the next item on the
variety programme. A troupe of young
girls presented a Kathak dance. One extremely talented young duo of a girl and
a boy left us on the edge of our seats with a rendition of Raga Hamsadhwani, she on the flute and he on the tabla. Another
boy from Daddy’s Home, presented a puppet dance. A soulful mando
followed . . . AIR had an amazing format showcasing their strengths as well
as providing a platform for budding artistes.
The same
evening I took in the performance of the German National Youth Orchestra at
Kala Academy, Panjim. The programme had the elements of Nature for its theme.
It began with John Leif's ‘Geysir’ – a paen to the power of the Icelandic
geysers. As the programme notes state, ‘Jon Leifs was . . . . aware of the
vulnerability of human beings when confronted by such powerful forces . This is
a reality with which all Icelanders live daily.’ The piece which lasted ten
minutes started with the barely discernible discordant sounds of foghorns by
ships at sea. You could visualize the geyser forming and frothing as it assumed
its terrible proportions. This was the first time I heard the Icelandic composer
Leifs though the piece is as old as 1961.
The
Youth Orchestra continued with the Fantasia Overture from Tchaikovsky’s
‘Tempest.’ Inspired by Shakespeare’s Tempest
the piece displayed the
voluptuousness and tumult of the sea. I should think Mendelssohn’s ‘Hebrides
Overture’ would have been a good candidate for the programme but the Orchestra
opted for Robert Schumann’s ‘Rhenish’
which is described as ‘a piece of life by the Rhine[ river].’
I was
sorry to miss Antonin Dvorak, the Czech composer who was featured the next day
at Ravindra Bhavan, Margao. The haunting strains of his New World symphony, and
the Slavonic dances are a measure of his virtuosity. I also missed the American
composer Aaron Copland with his ‘Fanfare for the Common Man.’ (1942)
In both
these events it was the young children and youth who led the way. Through their
discipline and dedication to their music and dance, they pointed the way to a
better tomorrow.
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Published in Gomantak Times Weekender, St. Inez, Goa on Sunday, 28 January 2018. Pix courtesy theindigoxp.
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